Thursday, 11 April 2013

Kitchen by Banana Yoshimoto: A Review


If there is a colour for the prose of Banana Yoshimoto, it is blue. Reading ‘Kitchen’ is like walking in the clear crisp air of a blue night in Tokyo. She works beautifully with surrealistic imagery, with artless simplicity. The images of the night, the houses in the streetlight, the colour of the sunset and the sky, the moonlight in the kitchen transpire again and again in the beautifully sparse writing until one breathes completely in the dreamlike quality of  it. These images do not convey the sinister, furtive, darkness of night: it is but the beautiful melancholy of night where dreams and reality conflate. The loneliness of the characters flows and merges with these images. How evocative a description of pain, loneliness, separation, and human mortality! Death and loss can truly be a binding force for people, drawing them closer, reshaping their sensitivities, in coming to terms with their insurmountable loss. And there is the knowledge that no one can understand your loss except for someone who has been through a similar sadness. Yoshimoto’s characters, in their unusual ordinariness, adopt a number of contrivances for a liberation from their grief. Some change homes, some change their gender. They cook extravagant meals, find shelter in some secluded monastery with a waterfall or in the simple domesticity of the Kitchen. Some keep the grief hidden so that it doesn't take the form of perceptible reality. Memories are shining and bright, and they live on but they also keep sucking their bearer away from the present. Moving on gets difficult. And it’s a pain in itself to come to a delivery where one learns to take care of a memory as a memory; something that has passed and doesn’t belong to the present. 

"I'll never be able to be here again. As the minutes slide by, I move on. The flow of time is something I cannot stop. I haven't a choice. I go. 

One caravan has stopped, another starts up. There are people I've yet to meet, others I'll never see again. People who are gone before you know it, people who are just passing through. Even as we exchange hellos, they seem to grow transparent. I must keep living with the flowing river before my eyes."

Friday, 21 December 2012

The Fury and the Shame!

It has been almost two days of me following every bits and pieces of information surrounding the Delhi gang rape case: updates about the captivity and social positioning of the rapists, discussions that attempt to unearth the root of the transgression and expose the gaps which corrode our ‘system’, opinions which range from suggesting innovative of ways of retribution to the depraved perpetrators of the crime which range from chopping off their testicles to public lynching. An American friend of mine, who was greatly distressed with the insecurity of women in Delhi, sees this as a much needed and positive unity of anger and outrage as do many of us. Not that it is a first of its kind, but the brutality of the crime is so unnerving that shock and indignation seem nothing but the most spontaneous, humanely conceived reaction to it.  I do not really have anything to add to the already much deconstructed dynamics of the crime and its causes.  It is just that, apart from the abysmal depression that I have been led to with this incident, apart from discovering the more gruesome ends my ‘vulnerability’ as a woman in the rape capital of the country can be subjected to, I find in myself a dislocation in how I had been looking at the problem and a lot of other things. Maybe sometimes for some or most of us, things actually need to go way out of hand to attract some serious reflection, within or without.



I find myself living in a city which, though had always been infamous for the violence against its women, has now been confirmed the as the most unsafe city for women.  I wonder what is it that made Delhi  the-most-unsafe. What is it about the social and cultural space of this place that makes it so conducive and tolerant to the uncontrolled misogyny? And what is even more puzzling is why Delhi out of places where I finally come to face with the most distorted of all complications womanhood must watch out for. I grew up in Patna where girls are usually home by evening. It was a decree we grew up with and effortlessly internalized. It almost seemed ‘natural’ that we were home comfortably by dusk, that things were as they were and they couldn’t and needn’t be any other way. With a family fiercely protective of its girls, it was hard to comprehend any greater good coming out of any mobility outside this containment and restriction. Even more for girls like me, who did not visit any places other than the towns of Uttar Pradesh and Bihar, had no alternative less-restrictive lifestyles to compare with.  We were safe, i.e. we were limited, we knew our bounds and couldn’t escape our share responsibility in the consequences of transgressing them.  And also how little we realized that we were condoning our own confinement and limitations with such conditioning! Now living alone in Delhi, without the over-reaching protective arms of my family, many times I move out of those erstwhile defined spaces because I need to and because I choose to.  And consequently I come across this palpable insecurity, each day when I leave for work or come back from it. Like many other women, I am not sure whether the day would not turn out to be in an unpleasant one, without a man hooting at me from an auto rickshaw, or ogling at me at me at a traffic signal, or brushing against me in a bus or a metro. 

It has been posited a number of times, and very reasonably though, how the displacement of women from the domestic towards political, social affirmation and economic security has been perceived as a threat to masculinity. The image of a self-dependent woman, earning her living and establishing her own control over her mind and body can be seen as something leading to a potential emasculation of manhood in a repressive patriarchal discourse. Seeing women competing with men at work places, or getting better salaried jobs adds to the condescension they have always borne against women who are understood as essentially different and weaker and less capable than them so much so that their very presence in the ‘man’s world’ outside the confines of the household is seen as a misplacement, an aberration

The anger and resentment seems to be much more rampant this time.  There are many who have been screaming for ‘death by hanging’ or even public lynching of the rapists. The mob passion and hatred is unbridled against those vermins who could have been so denuded of humanity to execute a crime of such barbarity. Without getting anywhere into the validity or otherwise of capital punishment, this baying for ‘blood’ seems more like a very convenient escape from our collective guilt and responsibility in the incident. It’s an expedient othering of the culprits as inhuman monsters, a subsequent marginalization of the criminals which even more justifies a brutal end to be accorded to them. Why it has to go unnoticed that this is altogether a dumbing down of our own participation in the horrendous incident. This barbarity was the outcome of the utmost perversion of a psyche we have been brought up with, lived with, or silently witnessed without any felt or activated dissent. And in such moral and psychological claustrophobia, why not just exterminate those who are the distorted products of the same shared and withheld consciousness? We might have been shaken by the gang-rape but why do we still fail to acknowledge the continuum which exists between the ‘public’ and the ‘private’ in the instances of rape and violation? I do not see how a ‘blood-thirsty revenge and retribution’ can be the hard-wearing blow.

And still remains undaunted is the shamelessness of people! Or should I call it just shamelessness or also an erosion of all reason and sensitivity. Even after something as soul-numbing as this I can hear voices expressing their utter incomprehension of the fact that a woman with her skimpy clothes, 'loose' and 'untamed' lifestyle could still be anyone worthy of any respect. Seriously, how can they liberate the victim of her own participation in her destruction when she chooses to be out of her home so ‘late in the night’ and ‘with a male friend’. It was unfortunate but she had it coming to her! And all this self-righteous fury that this incident has generated especially among men doesn't keep one from wondering how many of them are not guilty of the innocent mischief so mildly passed off as 'eve-teasing'. How many of them dint go out of their ways to 'compliment' women known or unknown to them. What still prevails is the thought that that such 'attention' makes women feel good about themselves and desirable. But, yes of course, this is just ‘harmless fun’ and could never take the hideousness of ‘rape’ and ‘molestation’. So much for the the fury and the shame! 


Of course there will be the talk of how all this involves a need in the change of collective consciousness of the society and also how it could take years and even a century. And hence its credibility as an imminent path of action and recourse is toned down.  We will demand for better, stronger laws, .i.e. executive and procedural. We will want the harshest punishment to be meted out to the criminals. But if we could just care to ask ourselves: How much are we willing to change? How much are we willing to let others change?
   

Sunday, 13 May 2012

Dream


They ask you to dream
But is it so wise to dream?
For what does a dream do?
It lies forgotten in your drawers
It remains unposted in that envelope
It gathers dust with days and years
And it stinks rotten with old age
And then someday it dies
Why is it so good to dream, why is it so wise?

Afternoon


I love an afternoon
Served hot with the day’s sun
On a flat and empty day
When it lies under the fan
Cooling off in my verandah
While I take a sip of it
Wondering where would my hours go?
To a Morrison or maybe to a Capote

Saturday, 24 March 2012

On one sleepy afternoon



On one of the sleepy afternoons of a sleepy town, they were there lying by the window. They had a fight then, she remembers. One of their serious little quarrels. She was mad at him for something, or maybe that was him. She still cannot remember what the thing was about, does he?  She sure cried a bit. He did not do anything about it, he said he was tired. Too tired to start it all over again. She watched him close his eyes. And they went off to sleep, both of them, turning it to a pretty non-consequential affair. For how long they lied like that, minutes, hours? No that could not have been for long. Sometimes she thinks that must been just for a wink of time. And then he woke up, all of a sudden pulling her out of her sleep, ‘Wake up love, come there is something happening on the streets. Come I will show you” He lifted her up, carried her to the balcony. It was the neighborhood celebrating one of the regional festivals. “You all right? Why this? You melted all of a sudden?” “Nothing, just a bad dream. Thought I lost you”. Then there was the quiet moment. He smiled at her, and there she melted, into a puddle.

The One I Wrote For You


To write to you or to write for you? Which one would suit you? Which one would rather interest you? The former would have more of you, the latter the less of me. But a luck indeed that you got me to write about it, what we have: the loveliest business on earth. And the present moment, I am high on a certain number of definitions of love which are philosophical and profound, quirky and crisp, voluptuous with emotions. What would I say or do I still need to say about my own little romance? But still as you know, there are things which are never enough said and never enough done.  
Forget about me talking of you as my dream guy. My dream guy died the very day I accepted my love for you. He is dead and buried in my empty past tinkering of hollow fantasies. He was the offspring of a feeble imagination which recreated what it was fed with. That was an adolescent denial of simplicity, an ignorant refusal of the greatness that rests in the ordinary. I am happy I lost my vanity to find you. To realize that love is not about consuming yourself in fictitious desires and vaporous azure dreams, but about finding an emotional release and an existential mooring (don’t mind, I am really fond of this word and cannot help using it every second chance I get) . 
I don’t know if it is sane to love a person who is nothing like you. Who neither shares any of your eccentricities nor your streak of narcissism. You don’t share his enthusiasm for love and life and he doesn’t share your unflinching murderous commitment to pessimism. I hope an affair of this sort does not happen to be a leaf out of the creation of an absurdist. My relationship with you is improbable, a marriage of differences that are too different to be even considered as contraries. It is perhaps that most amusing thing that happened to me in my life. It is said that in love you grow as a person. But look what love did to me! I regressed; I went back to being a child. Love did not make me a stronger person. It made me even more vulnerable, nestled in the warmth and comfort of your affection. And could I have had it any better? Well, I really don’t want better things. After all this life of contentment has the euphony of the most beautiful love-poem.